• About me

    Born in 2000 in France, I was raised in a family that loves music and cinema, I started as a self taught pianist in 2016 and started composing at the same time, on Cubase when I knew Lorne Balfe composed my favorite game music (Assassin’s Creed 3) back then on it. I still use since then, after some trying some other digital audio workstations. I always focused on arrangement and on my sound, working a lot on my mix, through EQ, depth with reverb. Working in different styles helped me progress in mixing and structure.

    Multiple inspirations

    My first steps into film music were through old classic films, composed by Ennio Morricone; Le Clan des Siciliens, One Upon a Time in the West, The Good, the Bad and the Ugly; through french and Louis de Funès films, with the magic Vladimir Cosma; L’Aile ou la Cuisse, Rabbi Jacob, Inspecteur la Bavure etc. And also through Hollywood classic films, often composed by John Williams, Hans Zimmer, Lorne Balfe, John Powell, Trevor Rabin, James Newton Howard, Harry Gregson-Williams, Michael Giacchino and many more, and video games composed by Sarah Schachner, Lorne Balfe, Gordy Haab and Jesper Kyd. These multiple inspirations led me into working in very different styles, very organic classical orchestration or hybrid cinematic orchestral textures.